Uvu-News

Catalog

Getting Old


Jim Schwall's 2007 CD "Getting Old" features Jim performing solo, singing and playing acoustic 6- and 12-string guitars, recorded live in venues in or near Madison WI. There is one traditional song, one song of unknown origin and three songs by other songwriters: Bill Morrissey, David Olney and Ed Haynes. The rest of the 14 tracks are Jim's originals. About half the tunes are in some of the styles of traditional blues.

Catalog

BottLe


Prog-ambient-tribal-rock music.

The latest release from MiLkBabY slices and dices the world of progressive and groove-oriented electronica into slivers of Bjork-laden psychedelica a la key lime pie era Social Distortion.

"...the music of Chicago's Milkbaby is nearly impossible to quantify. The duo of Barry Bennett and Darren Shepherd engage in a bizarre blur of electronics, percussion, brass, keyboards and guitars to create an odd record filled with both ambience and dissonance. ...it's clear Milkbaby possesses an uncanny... [read more]

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Collected (1999-2000)


Collected (1999-2000)
Since STAY is now out of print and HILLBILLY will soon be, Ritt has put together a collection of favorites from his first 2 albums for Uvulittle Records. Included is a new single, "Shake," on which Deitz plays all the instruments.

In addition to Deitz on acoustic guitar and vocals, a wide cast of players including Steve Burke, Joe Meisel, Jay Moran and Bif Blumfumgagnge round out the tracks with piano, dobro, electric guitar, lap steel, accordion and violin... [read more]

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Carrot Carrot


This is the first full-length studio album from vocal artist, db pedersen.

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United Mind Workers


This is a CDr of the original 1990 Honor Among Thieves release, United Mind Workers. The packaging is minimal - just a jewel case with no cover art. It contains all the songs from the original release.

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When The World Runs Fast


This is a CDr of the original 1987 Honor Among Thieves release, When The World Runs Fast. The packaging is minimal - just a jewel case with no cover art. It contains all the songs from the original vinyl release.

Catalog

Make Some Time For Wasting


Brilliant vocals and production. This is vibrant, uplifting music. Katie's voice and songwriting are at the forefront. Her piano playing is simple but melodically powerful. The band keeps the energy simmering throughout. All in all, a great followup to Changing Faces.

This is a 'must have' for fans of great sounding pop music.

Catalog

Changing Faces


Katie Todd's debut album.

Katie Todd sets out to impress with a set of smoldering piano based rock songs anchored by her unique voice and powerful lyrics.

How can you go wrong with and album that opens with, "To deviate from the social standard..."

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Dispatch


Two guys - Andre Perry (vox, keyboards) and John Lindenbaum (vox,guitar). Using a 12-string acoustic guitar and a couple of synthesizers, the duo blends angsty folk-rock lyrics with spacey keyboard textures. Their sound certainly recalls the acoustic stylings of Neutral Milk Hotel and the Mountain Goats as well as the synth-rock of Grandaddy and Earlimart.

"Hand-stitched with minimal percussion, a couple of guitars, sparse synth and brief moments of studio ambiance/texture... Dispatch is a phenomenal album.." -... [read more]

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Ridin' With Chuck


The Midwesterners have pulled out all the stops on this one, 12 songs of dancin', drivin', and backyard barbequein' music that's a party from beginning to end!

Call it "Americana" if you need to put a handle on the music, because the songs are certainly steeped in American musical traditions. The Midwesterners have earned a reputation for rollicking, twangy performances, but on this latest album, they pull out all the stops, from the opening manifesto, Keep The Dance Floor Full, to the full-throttle closer, Keep Your Motor Oiled.... [read more]

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FOB


"...it's Geoffrey's vibraphone playing that impresses most and takes center stage here. While the vibes can sound tinny and bland in less skilled hands, Geoffrey coaxes rich, shimmering, expressive, and complex tones from his instrument — whether in dreamy, mysterious meditations such as "Dollars to Doinas" and "Re-Designed for Further Suffering" or playing restless, angular tunes like "Fly, Giant Robot, Fly!" and the title track (of sorts), "Fob, Fobbing, Fobbed." It goes without saying that Mr. Brady at the vibraphone is clearly a major... [read more]

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Company Town


"spaghetti western slavic mope chamber folk"

Tin can and twine romances in a color of rust with backdrops of long wind swept open roads framed by tangled barbed wire and naked telephone poles. The songs are of ashtray broken hearts and lansdscapes of beauty and sorrow borrowing harmonies from old eastern europe, the desert southwest and the sentiments of working class rust belt americana.

Catalog

Hypocriticool


Hypocriticool is a brilliant and never-predictable collection of songs that invites you to chill on a proverbial futon of sound offering a generous portion of beautiful, melodic imagery that tests your imagination and makes you want to crash Josh Cole's house party every night.

"While working on my brother's farm, I realized the industries of agriculture and music are the same in that they've grown too big," Cole says. "But when you're a farmer or musician on a small-scale, working household style, when it's all about your... [read more]

Catalog

After The Mountains


AFTER THE MOUNTAINS is Ritt's latest batch of beautiful, straight-ahead songs.

This is solid acoustic roots rock.

The songs move seamlessly from single, lingering melodies to the train-like stomp riffs that fans know from Ritt's vibrant live shows. Like this Kentuckian when he's on stage, Ritt's recordings are the fruit of years of playing - traditional music and rock and roll, in band after band, with pals, family and the occasional rival.

The Onion says, "He works the same side of the street as Greg Brown and Bruce... [read more]

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Subfiction


"Singer-guitarist Kari sets the tone with a weathered, raspy trill focused in the same way as Chan Marshall's is in Cat Power. But bleak images cry out for hope through Shane's fluid guitar melodies, and it all turns out to be quite wonderfully heart-wrenching and beautifully melancholy." The Onion

"The recording is noteworthy for the rich sound the duo achieve by weaving together two beautifully played acoustic guitars." The Isthmus

Makeshift Ego's first album features two interacting acoustic guitars, both with their own... [read more]